Joan Miró, ‘Tres Joan’, 1978, Heritage Auctions
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Joan Miró

Tres Joan, 1978

Etching and aquatint in colors on Arches paper, with full margins
20 3/4 × 42 in
52.7 × 106.7 cm
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About the work
HA
Heritage Auctions

H.C. XII/XV (aside from the edition of 99)

Published by Polígrafa, Barcelona/Morsang, Paris. …

Medium
Print
Signature
Signed and numbered in pencil in lower margin
Image rights
Courtesy of Heritage Auctions
Joan Miró
Spanish, 1893–1983
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Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

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Joan Miró, ‘Tres Joan’, 1978, Heritage Auctions
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About the work
HA
Heritage Auctions

H.C. XII/XV (aside from the edition of 99)

Published by Polígrafa, Barcelona/Morsang, Paris. LITERATURE: Dupin, 1034

Condition Report: Mat burns; mild light discoloration; three creases to the lower right, one to the image and two to the margin; creases to all four corners; backboard staining and adhesive staining …

Medium
Print
Signature
Signed and numbered in pencil in lower margin
Image rights
Courtesy of Heritage Auctions
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró

Tres Joan, 1978

Etching and aquatint in colors on Arches paper, with full margins
20 3/4 × 42 in
52.7 × 106.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Surrealism