Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Joan Miró

Untitled from Au Paradis des fantomes, 1938

Drypoint and aquatint, printed in color on Montval blue paper
6 × 4 1/2 in
15.2 × 11.4 cm
This is part of a limited edition set.
location
New York
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
IG
Isselbacher Gallery
New York
Follow

One of 15 signed and numbered examples

One of 15 signed and numbered examples

Signature
Signed and numbered in pencil
Publisher
H. Parisot, Paris
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
IG
Isselbacher Gallery
New York
Follow

One of 15 signed and numbered examples

One of 15 signed and numbered examples

Signature
Signed and numbered in pencil
Publisher
H. Parisot, Paris
Joan Miró
Spanish, 1893–1983
Follow

Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used color and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colors like words that shape poems, like notes that shape music,” he said. While he prized artistic freedom, Miró revered art history, basing a series of works on the Dutch Baroque interiors of Hendrick Sorgh and Jan Steen. In turn, Miró has inspired many artists—significantly Arshile Gorky, whose bold linear abstractions proved a foundational influence on Abstract Expressionism.

Joan Miró

Untitled from Au Paradis des fantomes, 1938

Drypoint and aquatint, printed in color on Montval blue paper
6 × 4 1/2 in
15.2 × 11.4 cm
This is part of a limited edition set.
location
New York
Want to sell a work by this artist? Consign with Artsy.
Other works by Joan Miró
Related works
Most Similar