Joan Miró
Untitled (from La Melodie Acide) (Cramer 248), 1980
on Arches paper, published by Au Pont des Arts, Paris, image 270 x 230mm (10 1/2 x 9in) (framed)
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Read moreon Arches paper, published by Au Pont des Arts, Paris, image 270 x 230mm (10 1/2 x 9in) (framed)
Please Note: This lot is sold subject to Artist's Resale Right, details of which can be found in our Terms and Conditions.
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
Read moreon Arches paper, published by Au Pont des Arts, Paris, image 270 x 230mm (10 1/2 x 9in) (framed)
…
Read moreon Arches paper, published by Au Pont des Arts, Paris, image 270 x 230mm (10 1/2 x 9in) (framed)
Please Note: This lot is sold subject to Artist's Resale Right, details of which can be found in our Terms and Conditions.
Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in …
Read moreJoan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method …
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