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Joan Mitchell, ‘Afternoon’, Christie's
Joan Mitchell, ‘Afternoon’, Christie's
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Joan Mitchell

Afternoon

Oil on canvas
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About the work
Exhibition history
Provenance
C
Christie's

Joan Mitchell (1925-1992)

Afternoon

signed 'Joan Mitchell' (lower left); signed again and …

Joan Mitchell (1925-1992)

Afternoon

signed 'Joan Mitchell' (lower left); signed again and titled 'Mitchell afternoon' (on the reverse)

oil on canvas

102 3/8 x 63 in. (260 x 160 cm.)

Painted in 1969-1970.

Signature
Signed 'Joan Mitchell' (lower left); signed again and titled 'Mitchell afternoon' (on the reverse)
Joan Mitchell
American, 1925–1992
Follow

In 1950s New York, Joan Mitchell was a lively, argumentative member of the famed Cedar Bar crowd, alongside Franz Kline, Willem de Kooning, and other notable first- and second-generation Abstract Expressionist painters. Based on landscape imagery and flowers, her large-scale paintings investigate the potential of big, aggressive brushstrokes and vivid color to convey emotion. "I try to eliminate clichés, extraneous material," she once said. "I try to make it exact. My painting is not an allegory or a story. It is more like a poem." Mitchell, who moved to France in 1959, has had numerous museum exhibitions, and examples of her work hang in nearly all the important public collections of modern art.

Joan Mitchell, ‘Afternoon’, Christie's
Joan Mitchell, ‘Afternoon’, Christie's
Save
Save
Share
Share
Save
Save
Share
Share
About the work
Exhibition history
Provenance
C
Christie's

Joan Mitchell (1925-1992)

Afternoon

signed 'Joan Mitchell' (lower left); signed again and …

Joan Mitchell (1925-1992)

Afternoon

signed 'Joan Mitchell' (lower left); signed again and titled 'Mitchell afternoon' (on the reverse)

oil on canvas

102 3/8 x 63 in. (260 x 160 cm.)

Painted in 1969-1970.

Signature
Signed 'Joan Mitchell' (lower left); signed again and titled 'Mitchell afternoon' (on the reverse)
Joan Mitchell
American, 1925–1992
Follow

In 1950s New York, Joan Mitchell was a lively, argumentative member of the famed Cedar Bar crowd, alongside Franz Kline, Willem de Kooning, and other notable first- and second-generation Abstract Expressionist painters. Based on landscape imagery and flowers, her large-scale paintings investigate the potential of big, aggressive brushstrokes and vivid color to convey emotion. "I try to eliminate clichés, extraneous material," she once said. "I try to make it exact. My painting is not an allegory or a story. It is more like a poem." Mitchell, who moved to France in 1959, has had numerous museum exhibitions, and examples of her work hang in nearly all the important public collections of modern art.

Joan Mitchell

Afternoon

Oil on canvas
Want to sell a work by this artist? Consign with Artsy.
Series by this artist