Joan Mitchell, ‘Flower II’, 1981, Andrea S. Keogh Art and Design

Color lithograph printed from two aluminum plates
Crayon on white, wove, machine mould made
Arches 88 paper
Publisher: Tyler Graphics Ltd., Bedford Village, New York
Published in New York in 1981

Signature: Signed and numbered in pencil (at lower right): 13/70

Publisher: Tyler Graphics Ltd.

About Joan Mitchell

In 1950s New York, Joan Mitchell was a lively, argumentative member of the famed Cedar Bar crowd, alongside Franz Kline, Willem de Kooning, and other notable first- and second-generation Abstract Expressionist painters. Based on landscape imagery and flowers, her large-scale paintings investigate the potential of big, aggressive brushstrokes and vivid color to convey emotion. "I try to eliminate clichés, extraneous material," she once said. "I try to make it exact. My painting is not an allegory or a story. It is more like a poem." Mitchell, who moved to France in 1959, has had numerous museum exhibitions, and examples of her work hang in nearly all the important public collections of modern art.

American, 1925-1992, Chicago, Illinois, based in New York, New York