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Lounge chair, 1947

Palissandre, cannage et métal
Bidding closed
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About the work
P
PIASA

H 62 × L 180 × P 67,5 cm

  • Collection particulière, Rio de Janeiro - Acquis directement par l’actuel …

Read more

H 62 × L 180 × P 67,5 cm

  • Collection particulière, Rio de Janeiro - Acquis directement par l’actuel propriétaire auprès de cette collection

  • Catalogue de l’exposition 'Modernité du design brésilien de 1950 à 1980', Galerie Chastel-Maréchal, Paris, modèle similaire reproduit pp. 48-49 - Marcelo Vasconcellos …

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Medium
Design/Decorative Art
Joaquim Tenreiro
Portuguese-Brazilian, 1906–1992
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Referred to often as the “father” of Brazilian modernism, furniture designer Joaquim Tenreiro, who was born in Portugal and moved to Rio de Janeiro in the late 1920s, refused to indulge the parochial tastes of his new country and instead challenged his clients to appreciate more contemporary styles. In the early 1940s, he established his own studio, and by the 1950s he was designing furniture for modern architects like Oscar Niemeyer. Tenreiro championed furniture that was “formally light”, as he described; working in wicker and tropical hardwoods to suit the hot climate of Brazil, he is a prime example of a designer making the most of material constraints.

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About the work
P
PIASA

H 62 × L 180 × P 67,5 cm

  • Collection particulière, Rio de Janeiro - Acquis directement par l’actuel …

Read more

H 62 × L 180 × P 67,5 cm

  • Collection particulière, Rio de Janeiro - Acquis directement par l’actuel propriétaire auprès de cette collection

  • Catalogue de l’exposition 'Modernité du design brésilien de 1950 à 1980', Galerie Chastel-Maréchal, Paris, modèle similaire reproduit pp. 48-49 - Marcelo Vasconcellos …

Read more
Medium
Design/Decorative Art
Joaquim Tenreiro
Portuguese-Brazilian, 1906–1992
Follow

Referred to often as the “father” of Brazilian modernism, furniture designer Joaquim Tenreiro, who was born in Portugal and moved to Rio de Janeiro in the late 1920s, refused to indulge the parochial tastes of his new country and instead challenged his clients to appreciate more contemporary styles. In the early 1940s, he established his own studio, and by the 1950s he was designing furniture for modern architects like Oscar Niemeyer. Tenreiro championed furniture that was “formally light”, as he described; working in wicker and tropical hardwoods to suit the hot climate of Brazil, he is a prime example of a designer making the most of material constraints.

Lounge chair, 1947

Palissandre, cannage et métal
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Joaquim Tenreiro