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Jock Sturges

Maia and Minna, Montalivet, France, 1994

Vintage gelatin silver print
15 4/5 × 19 9/10 in
40.2 × 50.5 cm
Edition 5/40
Bidding closed
About the work
F
Finarte

cm 36.5 x 46.5 immagine

cm 36.5 x 46.5 immagine

Signature
Edition 5 of 40 Signed, dated, numbered and titled in pencil on the verso
Jock Sturges
American, b. 1947
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With his background in perceptual psychology, Jock Sturges aims to reach the heart of his subjects; his color and black-and-white photographs capture people in the fullness of their beauty, individuality, and dignity. In his celebrated work, he focuses primarily on portraits of nude adolescents and their families. These images scandalized conservatives during the culture wars of the 1990s in America. The artist is known for developing deep bonds of trust, friendship, and collaboration with his subjects, many of whom he has photographed for decades, chronicling their growth from childhood into adulthood. “I don’t exist without my models, without the people in my pictures,” Sturges once said. “Even my best photograph of them is nevertheless the palest imitation of the miraculous soul that is the real person.”

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View in room
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Save
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view
View in room
share
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About the work
F
Finarte

cm 36.5 x 46.5 immagine

cm 36.5 x 46.5 immagine

Signature
Edition 5 of 40 Signed, dated, numbered and titled in pencil on the verso
Jock Sturges
American, b. 1947
Follow

With his background in perceptual psychology, Jock Sturges aims to reach the heart of his subjects; his color and black-and-white photographs capture people in the fullness of their beauty, individuality, and dignity. In his celebrated work, he focuses primarily on portraits of nude adolescents and their families. These images scandalized conservatives during the culture wars of the 1990s in America. The artist is known for developing deep bonds of trust, friendship, and collaboration with his subjects, many of whom he has photographed for decades, chronicling their growth from childhood into adulthood. “I don’t exist without my models, without the people in my pictures,” Sturges once said. “Even my best photograph of them is nevertheless the palest imitation of the miraculous soul that is the real person.”

Jock Sturges

Maia and Minna, Montalivet, France, 1994

Vintage gelatin silver print
15 4/5 × 19 9/10 in
40.2 × 50.5 cm
Edition 5/40
Bidding closed
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