Meet Joe Black and His Pixelated Portraits
Ellen Yoshi Tani
A pun on the long history of the depiction of horses in art, from cave paintings to the work of George Stubbs in the 1700’s, Black uses paint brushes dipped in paint pigment to create the hues and tones that define the form of the horse. This piece hence has a saturation of colour and intensity of tone.
Joe Black’s work is the vanguard of the current Pop Art movement. He describes his works as “revealing the unexpected” as they are viewed both from a distance and up close to make the ordinary extraordinary. Black combines his natural craft skills with a love of materials - many of which are recognizable everyday objects - to create portraits and abstract works. Using a laborious technique of hand painting and altering each tiny object to give gentle lines and shading to his subjects, Black has pioneered an elaborate new form of pixilation that he uses to hide subtle implications within each of his images. This is perhaps best illustrated by his use of 5,500 plastic toy soldiers in his depiction of Robert Capa’s iconic boy soldier piece Made in China (2011).
British, b. 1973