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Joe Goode

Tornadoes, 1991

The complete set of 10 etchings and aquatints in colors, on handmade paper, with full margins, all contained in the original mulberry paper-covered portfolio.
Edition 12/25
Bidding closed
About the work
P
Phillips

Portfolio 27 1/2 x 20 5/8 x 7/8 in. (69.9 x 52.4 x 2.2 cm)

Including: Cleveland County 1983; Snyder …

Read more

Portfolio 27 1/2 x 20 5/8 x 7/8 in. (69.9 x 52.4 x 2.2 cm)

Including: Cleveland County 1983; Snyder 1905; Bethany 1930; Oklahoma City 1942; Antlers 1945; Muskogee 1945; Woodward 1947; Shawnee to Tulsa 1960; Drumright 1974; and Lawton 1979

Signature
All signed, dated and numbered 12/25 in pencil, published by the artist.
Joe Goode
American, b. 1937
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Inspired by natural forces, Joe Goode seeks to convey the process of perception in his paintings. Along with artists like James Turrell and Robert Irwin, Goode is associated with Light and Space, a West Coast movement dedicated to exploring the experience of seeing that emerged in the early 1960s. In his paintings, Goode walks the line between abstraction and representation. He gives hints of recognizable forms and uses subtle gradations of color and visible brushstrokes to stimulate viewers to reconsider their own perceptual experiences.

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Save
share
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Save
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share
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About the work
P
Phillips

Portfolio 27 1/2 x 20 5/8 x 7/8 in. (69.9 x 52.4 x 2.2 cm)

Including: Cleveland County 1983; Snyder …

Read more

Portfolio 27 1/2 x 20 5/8 x 7/8 in. (69.9 x 52.4 x 2.2 cm)

Including: Cleveland County 1983; Snyder 1905; Bethany 1930; Oklahoma City 1942; Antlers 1945; Muskogee 1945; Woodward 1947; Shawnee to Tulsa 1960; Drumright 1974; and Lawton 1979

Signature
All signed, dated and numbered 12/25 in pencil, published by the artist.
Joe Goode
American, b. 1937
Follow

Inspired by natural forces, Joe Goode seeks to convey the process of perception in his paintings. Along with artists like James Turrell and Robert Irwin, Goode is associated with Light and Space, a West Coast movement dedicated to exploring the experience of seeing that emerged in the early 1960s. In his paintings, Goode walks the line between abstraction and representation. He gives hints of recognizable forms and uses subtle gradations of color and visible brushstrokes to stimulate viewers to reconsider their own perceptual experiences.

Joe Goode

Tornadoes, 1991

The complete set of 10 etchings and aquatints in colors, on handmade paper, with full margins, all contained in the original mulberry paper-covered portfolio.
Edition 12/25
Bidding closed
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