navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

John Evans

Backyard, 1983

Oil on linen
60 × 71 in
152.4 × 180.3 cm
Bidding closed
About the work
R
Rago

Provenance: John Bianco; Allan Stone Gallery, New York

Note for lots 623, 624, 625, 627, 630, 633, …

Read more

Provenance: John Bianco; Allan Stone Gallery, New York

Note for lots 623, 624, 625, 627, 630, 633, 634, 635, 638, 639, 640, 641, 642, 643 and 644

PLEASE NOTE

The preview exhibition for paintings from the "Living Large" section of this sale is divided between two locations: at Rago, 333 North Main Street and …

Read more
Signature
Signed
John Evans
American, b. 1945
Follow

John Evans’s landscapes seek to emulate the firsthand experience of being in a landscape, rather than recreating it. Through mottled paint and irregular depths, he draws the viewer in to reveal landscapes that allude to a greater natural order, with representational elements merging into abstract passages. Evans favors aquatic landscapes—ponds not unlike Monet’s—for their fluidity and power to transform. He studied under Philip Guston, though his angular, geometric forms recall Cézanne.

navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
R
Rago

Provenance: John Bianco; Allan Stone Gallery, New York

Note for lots 623, 624, 625, 627, 630, 633, …

Read more

Provenance: John Bianco; Allan Stone Gallery, New York

Note for lots 623, 624, 625, 627, 630, 633, 634, 635, 638, 639, 640, 641, 642, 643 and 644

PLEASE NOTE

The preview exhibition for paintings from the "Living Large" section of this sale is divided between two locations: at Rago, 333 North Main Street and …

Read more
Signature
Signed
John Evans
American, b. 1945
Follow

John Evans’s landscapes seek to emulate the firsthand experience of being in a landscape, rather than recreating it. Through mottled paint and irregular depths, he draws the viewer in to reveal landscapes that allude to a greater natural order, with representational elements merging into abstract passages. Evans favors aquatic landscapes—ponds not unlike Monet’s—for their fluidity and power to transform. He studied under Philip Guston, though his angular, geometric forms recall Cézanne.

John Evans

Backyard, 1983

Oil on linen
60 × 71 in
152.4 × 180.3 cm
Bidding closed
Other works by John Evans