Executed in New York in May of 2016, the present work is a variant edition with each work being unique in the placement and density of the red dot.

The size of the image is 3 1/2 inches (8.89 cm) in diameter.

John Armleder has been using the dot motif since the late 1970s and they can be found in the artist’s …

Medium
Condition
In very fine condition, unframed.
Signature
Hand-signed by artist, Signed, dated, titled and numbered in pencil on the reverse
Publisher
World House Editions

Performance artist, sculptor, and painter John M. Armleder draws from what he calls a "supermarket of forms." His art can take on attributes of Suprematist painting, Minimalist sculpture, Dada readymades, or, in the case of his wall paintings, actual wallpaper (turning Sol LeWitt’s ideology on its head while referencing Francis Picabia's dots or Surrealism's lobsters). Affiliated with Fluxus in the 1960s and ‘70s, Armleder was also associated with Neo-Geo (short for Neo-Geometric Conceptualism) in the 1980s for his furniture sculptures, conflating art and the design object. His works explore decor as the inevitable devolution of cultural expressions into background elements.

Blue-chip
Represented by internationally recognized galleries.
Exhibitions
2019
John Armleder | Sh/Ash/Lash/SplashDavid Kordansky Gallery
2017
John M ArmlederAlmine Rech
View all

Baronial, 2016

Rubber stamp print printed with Warm Red Van Son Rubber Based Letterpress ink on smooth white 335gsm Coventry Rag paper
9 1/2 × 9 1/2 in
24.1 × 24.1 cm
Edition of 60 - variant edition
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Executed in New York in May of 2016, the present work is a variant edition with each work being …

Medium
Condition
In very fine condition, unframed.
Signature
Hand-signed by artist, Signed, dated, titled and numbered in pencil on the reverse
Publisher
World House Editions

Performance artist, sculptor, and painter John M. Armleder draws from what he calls a "supermarket of forms." His art can take on attributes of Suprematist painting, Minimalist sculpture, Dada readymades, or, in the case of his wall paintings, actual wallpaper (turning Sol LeWitt’s ideology on its head while referencing Francis Picabia's dots or Surrealism's lobsters). Affiliated with Fluxus in the 1960s and ‘70s, Armleder was also associated with Neo-Geo (short for Neo-Geometric Conceptualism) in the 1980s for his furniture sculptures, conflating art and the design object. His works explore decor as the inevitable devolution of cultural expressions into background elements.

Blue-chip
Represented by internationally recognized galleries.
Exhibitions (2)
Other works by John M. Armleder
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