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End of line, 2016
Silkscreen printed in one color with a mix of Golden and Speedball inks printed on smooth white 335gsm Coventry Rag paper
40 × 40 in
101.6 × 101.6 cm
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About the work
WHE
World House Editions
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John Armleder has been using the dot motif since the late 1970s and they can be found in the …

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John Armleder has been using the dot motif since the late 1970s and they can be found in the artist’s paintings, drawings, prints and even multiple objects. Clearly paying homage to such avant-garde artists as Francis Picabia, Alexander Rodchenko, Larry Poons and even Tom Downing, John Armleder, through his notion of …

Read more
Publisher
World House Editions
Signature
Signed, dated, titled and numbered in pencil on the reverse
Share
About the work
WHE
World House Editions
Follow

John Armleder has been using the dot motif since the late 1970s and they can be found in the …

Read more

John Armleder has been using the dot motif since the late 1970s and they can be found in the artist’s paintings, drawings, prints and even multiple objects. Clearly paying homage to such avant-garde artists as Francis Picabia, Alexander Rodchenko, Larry Poons and even Tom Downing, John Armleder, through his notion of …

Read more
Publisher
World House Editions
Signature
Signed, dated, titled and numbered in pencil on the reverse
End of line, 2016
Silkscreen printed in one color with a mix of Golden and Speedball inks printed on smooth white 335gsm Coventry Rag paper
40 × 40 in
101.6 × 101.6 cm
Want to sell a work by this artist? Learn more.