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John M. Armleder, ‘End of line’, 2016, World House Editions
John M. Armleder, ‘End of line’, 2016, World House Editions
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End of line, 2016

Silkscreen printed in one color with a mix of Golden and Speedball inks printed on smooth white 335gsm Coventry Rag paper
40 × 40 in
101.6 × 101.6 cm
Edition of 48
This is part of a limited edition set.
$3,500
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
Provenance
WHE
World House Editions
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John Armleder has been using the dot motif since the late 1970s and they can be found in the …

John Armleder has been using the dot motif since the late 1970s and they can be found in the artist’s paintings, drawings, prints and even multiple objects. Clearly paying homage to such avant-garde artists as Francis Picabia, Alexander Rodchenko, Larry Poons and even Tom Downing, John Armleder, through his notion of …

Medium
Print
Condition
In very fine condition, unframed.
Signature
Hand-signed by artist, Signed, dated, titled and numbered in pencil on the reverse
Publisher
World House Editions
Price ranges of prints by John M. Armleder
Learn more
More info
Browse works in this category
$3,300–$3,600
This work
$0
$6,300+
John M. Armleder
Swiss, b. 1948
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Performance artist, sculptor, and painter John M. Armleder draws from what he calls a "supermarket of forms." His art can take on attributes of Suprematist painting, Minimalist sculpture, Dada readymades, or, in the case of his wall paintings, actual wallpaper (turning Sol LeWitt’s ideology on its head while referencing Francis Picabia's dots or Surrealism's lobsters). Affiliated with Fluxus in the 1960s and ‘70s, Armleder was also associated with Neo-Geo (short for Neo-Geometric Conceptualism) in the 1980s for his furniture sculptures, conflating art and the design object. His works explore decor as the inevitable devolution of cultural expressions into background elements.

John M. Armleder, ‘End of line’, 2016, World House Editions
John M. Armleder, ‘End of line’, 2016, World House Editions
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Provenance
WHE
World House Editions
Follow

John Armleder has been using the dot motif since the late 1970s and they can be found in the …

John Armleder has been using the dot motif since the late 1970s and they can be found in the artist’s paintings, drawings, prints and even multiple objects. Clearly paying homage to such avant-garde artists as Francis Picabia, Alexander Rodchenko, Larry Poons and even Tom Downing, John Armleder, through his notion of …

Medium
Print
Condition
In very fine condition, unframed.
Signature
Hand-signed by artist, Signed, dated, titled and numbered in pencil on the reverse
Publisher
World House Editions
Price ranges of prints by John M. Armleder
Learn more
More info
Browse works in this category
$3,300–$3,600
This work
$0
$6,300+
John M. Armleder
Swiss, b. 1948
Follow

Performance artist, sculptor, and painter John M. Armleder draws from what he calls a "supermarket of forms." His art can take on attributes of Suprematist painting, Minimalist sculpture, Dada readymades, or, in the case of his wall paintings, actual wallpaper (turning Sol LeWitt’s ideology on its head while referencing Francis Picabia's dots or Surrealism's lobsters). Affiliated with Fluxus in the 1960s and ‘70s, Armleder was also associated with Neo-Geo (short for Neo-Geometric Conceptualism) in the 1980s for his furniture sculptures, conflating art and the design object. His works explore decor as the inevitable devolution of cultural expressions into background elements.

End of line, 2016

Silkscreen printed in one color with a mix of Golden and Speedball inks printed on smooth white 335gsm Coventry Rag paper
40 × 40 in
101.6 × 101.6 cm
Edition of 48
This is part of a limited edition set.
$3,500
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Other works by John M. Armleder
Other works from World House Editions
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Silkscreen