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Approach to the Bridge, 1931

Etching, on wove paper
11 × 15 in
27.9 × 38.1 cm
Bidding closed
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About the work
Bibliography
C
Christie's

PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION

Signed in pencil, from the edition of …

Read more

PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION

Signed in pencil, from the edition of approximately 25, published by Alfred Stieglitz, New York, with full margins, generally in good condition
Image: 6 ¾ x 9 5/8 in. (171 x 244 mm.)
Sheet: 11 x 15 in. (279 x 381 mm.)

Medium
Print
John Marin (1870-1953)
American, 1870–1953
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John Marin worked as an architect before embarking on his groundbreaking painting career. After traveling in Europe, Marin returned to America in 1910 and devoted his energies to distinctly American subject matter, particularly images of New York City and the coast of Maine. A prominent figure in Alfred Stieglitz's modernist circle, Marin participated in the 1913 Armory show, and had solo exhibitions at Stieglitz's “291” gallery. Marin worked primarily in watercolor, developing a bold, fluid style; with a distinctive blend of realism and abstraction, his paintings evoked the forces and energy of nature as well as the booming rhythms of rapidly evolving city life. “I see great forces at work; great movements…pushing, pulling, sideways, downwards, upwards, I can hear the sound of their strife and there is great music to be played," he once said. "And so I try to express graphically what a great city is doing.”

Save
Save
view
View in room
share
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Save
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view
View in room
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About the work
Bibliography
C
Christie's

PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION

Signed in pencil, from the edition of …

Read more

PROPERTY FROM A DISTINGUISHED AMERICAN COLLECTION

Signed in pencil, from the edition of approximately 25, published by Alfred Stieglitz, New York, with full margins, generally in good condition
Image: 6 ¾ x 9 5/8 in. (171 x 244 mm.)
Sheet: 11 x 15 in. (279 x 381 mm.)

Medium
Print
John Marin (1870-1953)
American, 1870–1953
Follow

John Marin worked as an architect before embarking on his groundbreaking painting career. After traveling in Europe, Marin returned to America in 1910 and devoted his energies to distinctly American subject matter, particularly images of New York City and the coast of Maine. A prominent figure in Alfred Stieglitz's modernist circle, Marin participated in the 1913 Armory show, and had solo exhibitions at Stieglitz's “291” gallery. Marin worked primarily in watercolor, developing a bold, fluid style; with a distinctive blend of realism and abstraction, his paintings evoked the forces and energy of nature as well as the booming rhythms of rapidly evolving city life. “I see great forces at work; great movements…pushing, pulling, sideways, downwards, upwards, I can hear the sound of their strife and there is great music to be played," he once said. "And so I try to express graphically what a great city is doing.”

Approach to the Bridge, 1931

Etching, on wove paper
11 × 15 in
27.9 × 38.1 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by John Marin (1870-1953)
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Most Similar
American Modernism