John Marin (1870-1953), ‘Downtown, the El’, 1921, Print, Etching, on wove paper, with full margins, a fine, rich impression, with selectively wiped platetone, Phillips
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Downtown, the El, 1921

Etching, on wove paper, with full margins, a fine, rich impression, with selectively wiped platetone
10 9/10 × 13 9/10 in
27.6 × 35.2 cm
Edition of 275
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
P
Phillips

Image: 7 x 8 7/8 in. (17.8 x 22.5 cm)
Sheet: 10 7/8 x 13 7/8 in. (27.6 x 35.2 cm)

Medium
Signature
Signed in pencil, from the edition of 275 for the publication The New Republic, unframed
John Marin (1870-1953)
American, 1870–1953
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John Marin worked as an architect before embarking on his groundbreaking painting career. After traveling in Europe, Marin returned to America in 1910 and devoted his energies to distinctly American subject matter, particularly images of New York City and the coast of Maine. A prominent figure in Alfred Stieglitz's modernist circle, Marin participated in the 1913 Armory show, and had solo exhibitions at Stieglitz's “291” gallery. Marin worked primarily in watercolor, developing a bold, fluid style; with a distinctive blend of realism and abstraction, his paintings evoked the forces and energy of nature as well as the booming rhythms of rapidly evolving city life. “I see great forces at work; great movements…pushing, pulling, sideways, downwards, upwards, I can hear the sound of their strife and there is great music to be played," he once said. "And so I try to express graphically what a great city is doing.”

John Marin (1870-1953), ‘Downtown, the El’, 1921, Print, Etching, on wove paper, with full margins, a fine, rich impression, with selectively wiped platetone, Phillips
Save
Save
View
View in room
Share
Share
P
Phillips

Image: 7 x 8 7/8 in. (17.8 x 22.5 cm)
Sheet: 10 7/8 x 13 7/8 in. (27.6 x 35.2 cm)

Medium
Signature
Signed in pencil, from the edition of 275 for the publication The New Republic, unframed
John Marin (1870-1953)
American, 1870–1953
Follow

John Marin worked as an architect before embarking on his groundbreaking painting career. After traveling in Europe, Marin returned to America in 1910 and devoted his energies to distinctly American subject matter, particularly images of New York City and the coast of Maine. A prominent figure in Alfred Stieglitz's modernist circle, Marin participated in the 1913 Armory show, and had solo exhibitions at Stieglitz's “291” gallery. Marin worked primarily in watercolor, developing a bold, fluid style; with a distinctive blend of realism and abstraction, his paintings evoked the forces and energy of nature as well as the booming rhythms of rapidly evolving city life. “I see great forces at work; great movements…pushing, pulling, sideways, downwards, upwards, I can hear the sound of their strife and there is great music to be played," he once said. "And so I try to express graphically what a great city is doing.”

Downtown, the El, 1921

Etching, on wove paper, with full margins, a fine, rich impression, with selectively wiped platetone
10 9/10 × 13 9/10 in
27.6 × 35.2 cm
Edition of 275
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by John Marin (1870-1953)