Signature: signed, titled and dated “John Wesley ‘Phone’ 1982” (on the reverse)

Craig Cornelius Gallery, New York
Enron Corporation, Texas
Private collection

About John Wesley

John Wesley traces fashion and news images from books and magazines as the basis for his highly stylized acrylic paintings. While he adopts the flattened forms and bright colors characteristic of Pop art, his style is often seen in line with the formal tenets of Minimalism espoused by Donald Judd and, somewhat paradoxically, to the Rococo, whose “casual, libidinous allegories” the critic David Hickey credits Wesley with reinventing. Rather than critique consumerist culture, Wesley’s cartoonish paintings, inspired to an extent by René Magritte and Giorgio de Chirico, celebrate fantasy and express human fears and desires. They reference popular culture (especially the comic strip “Blondie”), but fix “on the neurotic, erotically inclined psyche of the American male, with its rage and frustration, longing and loss,” according to New York Times critic Andrea K. Scott.

American, b. 1928, Los Angeles, California, based in Los Angeles, California

Solo Shows on Artsy

John Wesley: The Henry Ford Syndrome, Waddington Custot, London
John Wesley: Objects and Paintings, David Kordansky Gallery, Los Angeles

Group Shows on Artsy

Disturbing Innocence, The FLAG Art Foundation, New York