John Wesley
Hootie's Wife, 2005
In 2002, The Armory Show developed a partnership with MoMA wherein a commissioned artist would …
John Wesley traces fashion and news images from books and magazines as the basis for his highly stylized acrylic paintings. While he adopts the flattened forms and bright colors characteristic of Pop art, his style is often seen in line with the formal tenets of Minimalism espoused by Donald Judd and, somewhat paradoxically, to the Rococo, whose “casual, libidinous allegories” the critic David Hickey credits Wesley with reinventing. Rather than critique consumerist culture, Wesley’s cartoonish paintings, inspired to an extent by René Magritte and Giorgio de Chirico, celebrate fantasy and express human fears and desires. They reference popular culture (especially the comic strip “Blondie”), but fix “on the neurotic, erotically inclined psyche of the American male, with its rage and frustration, longing and loss,” according to New York Times critic Andrea K. Scott.
In 2002, The Armory Show developed a partnership with MoMA wherein a commissioned artist would create a piece for the fair, whose proceeds would go toward the Pat Hearn and Colin de Land Acquisition Fund. In 2006, John Wesley was selected to create 2 new pieces specifically for The Armory Show. Previous artists …
John Wesley traces fashion and news images from books and magazines as the basis for his highly stylized acrylic paintings. While he adopts the flattened forms and bright colors characteristic of Pop art, his style is often seen in line with the formal tenets of Minimalism espoused by Donald Judd and, somewhat paradoxically, to the Rococo, whose “casual, libidinous allegories” the critic David Hickey credits Wesley with reinventing. Rather than critique consumerist culture, Wesley’s cartoonish paintings, inspired to an extent by René Magritte and Giorgio de Chirico, celebrate fantasy and express human fears and desires. They reference popular culture (especially the comic strip “Blondie”), but fix “on the neurotic, erotically inclined psyche of the American male, with its rage and frustration, longing and loss,” according to New York Times critic Andrea K. Scott.
