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John Wesley

Marmalade Executives, 2000

Iris print in colors, on heavy wove paper, the full sheet.
20 × 26 in
50.8 × 66 cm
Edition 3/50
Bidding closed
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About the work
P
Phillips

S. 20 x 26 in. (50.8 x 66 cm)

This lot is to be Sold with No Reserve

S. 20 x 26 in. (50.8 x 66 cm)

This lot is to be Sold with No Reserve

Signature
Signed, titled, dated and numbered 3/50 in pencil, published by Art Resource Transfer, New York, unframed.
John Wesley
American, b. 1928
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John Wesley traces fashion and news images from books and magazines as the basis for his highly stylized acrylic paintings. While he adopts the flattened forms and bright colors characteristic of Pop art, his style is often seen in line with the formal tenets of Minimalism espoused by Donald Judd and, somewhat paradoxically, to the Rococo, whose “casual, libidinous allegories” the critic David Hickey credits Wesley with reinventing. Rather than critique consumerist culture, Wesley’s cartoonish paintings, inspired to an extent by René Magritte and Giorgio de Chirico, celebrate fantasy and express human fears and desires. They reference popular culture (especially the comic strip “Blondie”), but fix “on the neurotic, erotically inclined psyche of the American male, with its rage and frustration, longing and loss,” according to New York Times critic Andrea K. Scott.

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About the work
P
Phillips

S. 20 x 26 in. (50.8 x 66 cm)

This lot is to be Sold with No Reserve

S. 20 x 26 in. (50.8 x 66 cm)

This lot is to be Sold with No Reserve

Signature
Signed, titled, dated and numbered 3/50 in pencil, published by Art Resource Transfer, New York, unframed.
John Wesley
American, b. 1928
Follow

John Wesley traces fashion and news images from books and magazines as the basis for his highly stylized acrylic paintings. While he adopts the flattened forms and bright colors characteristic of Pop art, his style is often seen in line with the formal tenets of Minimalism espoused by Donald Judd and, somewhat paradoxically, to the Rococo, whose “casual, libidinous allegories” the critic David Hickey credits Wesley with reinventing. Rather than critique consumerist culture, Wesley’s cartoonish paintings, inspired to an extent by René Magritte and Giorgio de Chirico, celebrate fantasy and express human fears and desires. They reference popular culture (especially the comic strip “Blondie”), but fix “on the neurotic, erotically inclined psyche of the American male, with its rage and frustration, longing and loss,” according to New York Times critic Andrea K. Scott.

John Wesley

Marmalade Executives, 2000

Iris print in colors, on heavy wove paper, the full sheet.
20 × 26 in
50.8 × 66 cm
Edition 3/50
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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