Jonathan Monaghan, ‘Roy’, 2015, bitforms gallery

With "Roy", Monaghan continues his exploration of abstracted psycho-sexual objects. With a porcelain, phallic-like form seemingly ripped open to reveal a gilt interior of sharp spikes, Roy is a discordant interplay between the natural and synthetic. 3D printed in materials associated with decorative arts, the work is both sci-fi and Baroque.

About Jonathan Monaghan

To create his CGI animations, Jonathan Monaghan mines and appropriates the characters and environments from the video games of his youth, as well as incorporating references to art history, Wall Street, consumer products, and other aspects of contemporary culture. “Pitting these ridiculous-looking video game characters and environments with recreations of real, “evil” power is very much what I was doing,” he has said. “By trying to create a coherent reality or a narrative where these absurd manifestations of power interact with actual power structures, my viewers can approach how power works through a different lens.” He likens this process of appropriation and reinterpretation to hacking—pulling images from culture and reversing their meaning, so that they subvert the very structures that produced them.

American, b. 1986, New York, New York, based in Washington, D.C.

Solo Shows

2015
2014
Curator's Office, 
Jonathan Monaghan | Alien Fanfare