About Jonathan Monk
Jonathan Monk playfully skewers seminal works and ideas from modern, Conceptual, and Minimalist art predecessors like Mark Rothko, Bruce Nauman, and Sol LeWitt. In Deflated Sculpture (2009), he remade Jeff Koons's 1986 Rabbit as a series of five stainless steel sculptures in progressive states of deflation, quoting Koons's original source (an inflatable toy bunny). In the “Rew-Shay Hood Project” (2008-2011), Monk commissioned a hot-rod painter to airbrush photographs from Ed Ruscha's 1967 Twentysix Gasoline Stations on to the hoods of classic muscle cars.
British, b. 1969, Leicester, United Kingdom, based in Berlin, Germany
Solo Shows
2017
Dvir Gallery,
Brussels, Il cane di Pistoletto
2015
Dvir Gallery,
Tel Aviv, Jonathan Monk - Eye Eye
2014
2014
Copenhagen,
Group Shows
2017
2017
Dvir Gallery,
Tel Aviv, Placed Someplace with Intent
2016
New York,
Shrines to Speed Art And The Automobile: From The Minimal To The Postmodern
2016
Dvir Gallery,
Brussels, Light Falling, Group show
2016
2014
Dvir Gallery,
Tel Aviv, Everyone Has A Name
2014
Dvir Gallery,
Tel Aviv, Fantome
2014
New York,
2014
Dvir Gallery,
Tel Aviv, Les yeux seuls sont encore capables de pousser un cri * (* Les Feuillets d’Hypnos by René Char)
2013
Dvir Gallery,
Tel Aviv, Together - Group Show
2013
Dvir Gallery,
Tel Aviv, Four Something - Group Show