Jordan Sullivan, ‘ Afterlife (for Hirokazu Kore-Eda)’, 2017, Rubber Factory
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Jordan Sullivan

Afterlife (for Hirokazu Kore-Eda), 2017

The backs of weathered and destroyed photographs and photographic fragments on canvas
12 × 9 in
30.5 × 22.9 cm
This is a unique work.
$1,200
Location
New York
Have a question? Visit our help center.
About the work
Provenance
Rubber Factory
New York

Jordan Sullivan uses weathered or destroyed photographs as a way to abstract the photographic …

Medium
Painting
Signature
Verso.
Series
The California Sun Was All I Had For Breakfast, And It Burned My Eyes.
Image rights
RUBBER FACTORY, courtesy of Jordan Sullivan.
Jordan Sullivan, ‘ Afterlife (for Hirokazu Kore-Eda)’, 2017, Rubber Factory
Save
Save
View
View in room
Share
Share
About the work
Provenance
Rubber Factory
New York

Jordan Sullivan uses weathered or destroyed photographs as a way to abstract the photographic experience but also in order to create beautiful compositions which recall moments specific to the landscape of his own personal experience of the site. While not accurate, the works are emotionally truthful and the poetic …

Medium
Painting
Signature
Verso.
Series
The California Sun Was All I Had For Breakfast, And It Burned My Eyes.
Image rights
RUBBER FACTORY, courtesy of Jordan Sullivan.

Jordan Sullivan

Afterlife (for Hirokazu Kore-Eda), 2017

The backs of weathered and destroyed photographs and photographic fragments on canvas
12 × 9 in
30.5 × 22.9 cm
This is a unique work.
$1,200
Location
New York
Have a question? Visit our help center.
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