Medium

Vincench’s take on conceptual art is guided by issues that are relevant to Cuban social life and by his religious affiliation and political vision. The artist uses elements characteristic of religious Afro-Cuban rituals and breaks them down with graphic simplicity. Cuban and Caribbean art is typically spontaneous, emotional, and colorful; however, in the 1980s, the region’s politics changed radically, causing Cuban artists to reflect more on the cognitive rather than the aesthetic process of art making. Artists such as Vincench thus became increasingly introspective and critical, which has resulted in his more minimalist and abstract style.

Selected exhibitions
2019
Jose Angel Vincench: The Burden Of Words532 Gallery Thomas Jaeckel
Jose Angel Vincench: The Burden of Words532 Gallery Thomas Jaeckel
2017
The Weight of Words: Golden Irony532 Gallery Thomas Jaeckel
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Exilio (ingot), 2016

Gold leaf on cedar wood
7 9/10 × 2 4/5 × 1 3/5 in
20 × 7 × 4 cm
Location
Santiago de Chile
Medium

Vincench’s take on conceptual art is guided by issues that are relevant to Cuban social life and by his religious affiliation and political vision. The artist uses elements characteristic of religious Afro-Cuban rituals and breaks them down with graphic simplicity. Cuban and Caribbean art is typically spontaneous, emotional, and colorful; however, in the 1980s, the region’s politics changed radically, causing Cuban artists to reflect more on the cognitive rather than the aesthetic process of art making. Artists such as Vincench thus became increasingly introspective and critical, which has resulted in his more minimalist and abstract style.

Selected exhibitions (3)
Other works by José Ángel Vincench
Related works
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