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Josef Albers

Interaction of Color, 1963

1 bound volume (80p. : illus.), 1 portfolio (80 folders of chiefly color illus. + “Commentary,” 1 paperbound volume; 48p.); in cloth-covered slipcase
11 1/8 × 14 5/8 × 5 1/2 in
28.3 × 37.1 × 14 cm
This is a non-editioned multiple.
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location
New York City
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About the work
ClampArt
New York City
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Original edition with silkscreened plates (Yale University Press: New Haven, CT)

The illustrations …

Read more

Original edition with silkscreened plates (Yale University Press: New Haven, CT)

The illustrations in Josef Albers’ “Interaction of Color” are studies composed of color-printed paper and mounted colored paper, some with cutouts. Many folders have more than one leaf of illustrations.

Included are several studies by …

Read more
Publisher
Yale University Press
Josef Albers
German-American, 1888–1976
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Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

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About the work
ClampArt
New York City
Follow

Original edition with silkscreened plates (Yale University Press: New Haven, CT)

The illustrations …

Read more

Original edition with silkscreened plates (Yale University Press: New Haven, CT)

The illustrations in Josef Albers’ “Interaction of Color” are studies composed of color-printed paper and mounted colored paper, some with cutouts. Many folders have more than one leaf of illustrations.

Included are several studies by …

Read more
Publisher
Yale University Press
Josef Albers
German-American, 1888–1976
Follow

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

Josef Albers

Interaction of Color, 1963

1 bound volume (80p. : illus.), 1 portfolio (80 folders of chiefly color illus. + “Commentary,” 1 paperbound volume; 48p.); in cloth-covered slipcase
11 1/8 × 14 5/8 × 5 1/2 in
28.3 × 37.1 × 14 cm
This is a non-editioned multiple.
Sold
location
New York City
Want to sell a work by this artist? Consign with Artsy.
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