Josef Albers, ‘"Prefatio"’, 1942, Francis Frost
Josef Albers, ‘"Prefatio"’, 1942, Francis Frost
Josef Albers, ‘"Prefatio"’, 1942, Francis Frost
Josef Albers, ‘"Prefatio"’, 1942, Francis Frost

Lithograph, 1942, signed in pencil, dated, titled and numbered from the edition of 30, on white wove paper, printed by Reinhard Shumann, Hickory, NC; some light toning to the sheet, a few very slight marks to the image (presumably from broken glass when once framed) but otherwise in good condition with full margins
Image 11 3/4 x 15 3/4 inches. Sheet 19 x 24 inches

Signature: Signed & dated lower-right.

Estate of Sewell Sillman (student and friend of Albers, also publisher of his silkscreens in the 1960s & 70s)

About Josef Albers

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

German-American, 1888-1976, Bottrop, Germany, based in Dessau, Germany, Black Mountain, North Carolina and New Haven, Connecticut

Solo Shows

Yale University Art Gallery, 
New Haven, CT, United States,
Small-Great Objects: Anni and Josef Albers in the Americas
Museum of Modern Art, 
New York, NY, United States,
One and One is Four: The Bauhaus Photocollages of Josef Albers
View Artist's CV