Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Josef Albers

SP, 1967

The complete set of 12 screenprints in colors, on Schöllers Hammer Board, with full margins, the sheets loose (as issued), all contained in the original black vinyl-covered portfolio
24 × 24 in
61 × 61 cm
Edition 43/125
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
P
Phillips

All images: 19 1/2 x 19 1/2 in. (49.5 x 49.5 cm)
All sheets: 24 x 24 in. (61 x 61 cm)

All images: 19 1/2 x 19 1/2 in. (49.5 x 49.5 cm)
All sheets: 24 x 24 in. (61 x 61 cm)

Signature
All signed, titled, dated and numbered 43/125 in pencil (there were also some artist's proofs)
Publisher
Editions Domberger, Stuttgart, for Galerie der Spiegel, Cologne
Josef Albers
German-American, 1888–1976
Follow

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

All images: 19 1/2 x 19 1/2 in. (49.5 x 49.5 cm)
All sheets: 24 x 24 in. (61 x 61 cm)

All images: 19 1/2 x 19 1/2 in. (49.5 x 49.5 cm)
All sheets: 24 x 24 in. (61 x 61 cm)

Signature
All signed, titled, dated and numbered 43/125 in pencil (there were also some artist's proofs)
Publisher
Editions Domberger, Stuttgart, for Galerie der Spiegel, Cologne
Josef Albers
German-American, 1888–1976
Follow

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

Josef Albers

SP, 1967

The complete set of 12 screenprints in colors, on Schöllers Hammer Board, with full margins, the sheets loose (as issued), all contained in the original black vinyl-covered portfolio
24 × 24 in
61 × 61 cm
Edition 43/125
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Josef Albers
Related works
Most Similar
Bauhaus