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Josef Albers

Study for Homage to the Square: Decided, 1957

Oil on masonite
24 × 24 in
61 × 61 cm
Bidding closed
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About the work
Exhibition history
Provenance
P
Phillips

This work will be included in the forthcoming Josef Albers Catalogue Raisonné being prepared by The …

Read more

This work will be included in the forthcoming Josef Albers Catalogue Raisonné being prepared by The Anni and Josef Albers Foundation and is registered at the Josef and Anni Albers Foundation as JAAF 1957.1.21.

From the Catalogue:
Josef Albers’ Study for Homage to the Square: Decided from 1957 is rendered in pure …

Read more
Signature
Signed with the artist's monogram and dated "57" lower right; further signed, titled and dated "Study for Homage to the Square: "Decided" … Read more
Josef Albers
German-American, 1888–1976
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Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

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view
View in room
share
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Save
Save
view
View in room
share
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About the work
Exhibition history
Provenance
P
Phillips

This work will be included in the forthcoming Josef Albers Catalogue Raisonné being prepared by The …

Read more

This work will be included in the forthcoming Josef Albers Catalogue Raisonné being prepared by The Anni and Josef Albers Foundation and is registered at the Josef and Anni Albers Foundation as JAAF 1957.1.21.

From the Catalogue:
Josef Albers’ Study for Homage to the Square: Decided from 1957 is rendered in pure …

Read more
Signature
Signed with the artist's monogram and dated "57" lower right; further signed, titled and dated "Study for Homage to the Square: "Decided" … Read more
Josef Albers
German-American, 1888–1976
Follow

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

Josef Albers

Study for Homage to the Square: Decided, 1957

Oil on masonite
24 × 24 in
61 × 61 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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