Josef Albers, ‘Study for Homage to the Square: Negev’, 1963, Schacky Art & Advisory
Josef Albers, ‘Study for Homage to the Square: Negev’, 1963, Schacky Art & Advisory

This work is to be included in the forthcoming catalogue raisonné of the artist's work being prepared by the Josef and Anni Albers Foundation.

Signature: signed with the artist's monogram and dated 'A63' (lower right); signed again, titled and dated again 'Study for Homage to the Square "Negev" Albers 1963' (on the reverse)

Arieh Sharon, Tel Aviv, acquired directly from the artist, circa 1960s
Private collection, Tel Aviv, by descent from the above
Anon. sale; Christie's, London, 25 June 2004, lot 174
Acquired at the above sale by the previous owner

About Josef Albers

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

German-American, 1888-1976, Bottrop, Germany, based in Dessau, Germany, Black Mountain, North Carolina and New Haven, Connecticut

Solo Shows

Yale University Art Gallery, 
New Haven, CT, United States,
Small-Great Objects: Anni and Josef Albers in the Americas
Museum of Modern Art, 
New York, NY, United States,
One and One is Four: The Bauhaus Photocollages of Josef Albers
View Artist's CV