Josef Albers, ‘Study for Homage to the Square: Slate and Sky’, 1961, Wright
Josef Albers, ‘Study for Homage to the Square: Slate and Sky’, 1961, Wright

Signature: Signed and dated to lower right corner 'A61'. Signed, titled and dated to verso 'Study for Homage to the Square "Slate and Sky" Albers 1961'. This work will be included in the forthcoming catalogue raisonné being prepared by the Anni and Josef Albers Foundation.

Sidney Janis Gallery sold via Shillitos's Fine Arts Gallery, Cincinnati in 1964 | Acquired from the previous by James H. Stone | Thence by descent

About Josef Albers

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

German-American, 1888-1976, Bottrop, Germany, based in Dessau, Germany, Black Mountain, North Carolina and New Haven, Connecticut