Josef Albers, ‘Two works of art: Profundo from the portfolio Soft Edge-Hard Edge, 1965; Late from the portfolio Soft Edge-Hard Edge, 1965’, Print, Screenprint in colors, Rago/Wright
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Josef Albers

Two works of art: Profundo from the portfolio Soft Edge-Hard Edge, 1965; Late from the portfolio Soft Edge-Hard Edge, 1965

Screenprint in colors
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RW
Rago/Wright

Two works of art:
Profundo from the portfolio Soft Edge-Hard Edge, 1965
Screenprint in colors (from …

Medium
Josef Albers
German-American, 1888–1976
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Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

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Josef Albers, ‘Two works of art: Profundo from the portfolio Soft Edge-Hard Edge, 1965; Late from the portfolio Soft Edge-Hard Edge, 1965’, Print, Screenprint in colors, Rago/Wright
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Save
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Share
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RW
Rago/Wright

Two works of art:
Profundo from the portfolio Soft Edge-Hard Edge, 1965
Screenprint in colors (from the unsigned edition)
11" x 11" (image)
17" x 17" (sheet)
Literature: Danilowitz 165.7

Late from the portfolio Soft Edge-Hard Edge, 1965
Screenprint in colors (from the unsigned edition)
11" x 11" …

Medium
Josef Albers
German-American, 1888–1976
Follow

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

Josef Albers

Two works of art: Profundo from the portfolio Soft Edge-Hard Edge, 1965; Late from the portfolio Soft Edge-Hard Edge, 1965

Screenprint in colors
Bidding closed
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