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Josef Albers

Variant VIII, from Ten Variants, 1966

Screenprint in colors on wove paper
11 × 11 4/5 in
27.9 × 30 cm
Edition 153/200
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
HA
Heritage Auctions

Framed: 17.5in x 17.5in x 0in

There was also an edition of 100.

Framed: 17.5in x 17.5in x 0in

There was also an edition of 100.

Signature
Signed, titled, dated, and numbered in pencil in lower margin, with the blindstamp of the publisher
Publisher
Ives-Sillman, Inc., New Haven Printed by Sirocco Screenprints, New Haven
Image rights
Courtesy of Heritage Auctions
Josef Albers
German-American, 1888–1976
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Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

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About the work
Bibliography
HA
Heritage Auctions

Framed: 17.5in x 17.5in x 0in

There was also an edition of 100.

Framed: 17.5in x 17.5in x 0in

There was also an edition of 100.

Signature
Signed, titled, dated, and numbered in pencil in lower margin, with the blindstamp of the publisher
Publisher
Ives-Sillman, Inc., New Haven Printed by Sirocco Screenprints, New Haven
Image rights
Courtesy of Heritage Auctions
Josef Albers
German-American, 1888–1976
Follow

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

Josef Albers

Variant VIII, from Ten Variants, 1966

Screenprint in colors on wove paper
11 × 11 4/5 in
27.9 × 30 cm
Edition 153/200
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Josef Albers
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