Medium
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Hand-signed by artist
Certificate of authenticity
Included (issued by gallery)
Price ranges of medium-sized prints by Josef Albers
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$10,000+
This work
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$10,500+

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

High auction record
£2.3m, Sotheby's, 2017
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA) , Anderson Collection at Stanford University
Selected exhibitions
2021
The Roaring TwentiesGuggenheim Museum Bilbao
2019
Josef Albers: Sonic AlbersDavid Zwirner
2018
Programmed: Rules, Codes, and Choreographies in Art, 1965–2018Whitney Museum of American Art
View all

WLS X, 1966

Three-colour aluminum plate lithographs on handcut Arches Cover paper
20 7/10 × 20 7/10 in
52.7 × 52.7 cm
Edition of 125
.
$15,000 - 18,000
Location
London
Certificate
This work includes a certificate of authenticity.
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Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included (issued by gallery)
Price ranges of medium-sized prints by Josef Albers
Learn more
Browse works in this category
$10,000+
This work
$0
$10,500+

Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and '60s, which focused on the simplification of form and the interplay of shape and color. “Abstraction is real, probably more real than nature,” he once said. “I prefer to see with closed eyes.” His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Cy Twombly, Richard Anuszkiewicz, and Robert Rauschenberg. He is often cited among the progenitors of Minimalist, Conceptual, and Op art.

High auction record
£2.3m, Sotheby's, 2017
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA) , Anderson Collection at Stanford University
Selected exhibitions (3)
More from this series
View series
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