For the World Exhibition in Buenos Aires 1910

Medium
Manufacturer
Jacob & Josef Kohn, Vienna, no 1263
Image rights
Galerie bei der Albertina

Josef Hoffman’s oeuvre embodies the seismic aesthetic and philosophical shifts that defined avant-garde art and design at the turn of the 19th century. He was a founding member of the Vienna Secession, an organization of artists and designers who sought to breakaway from rigid historical precedents, and later, the Wiener Werkstätte, a workshop dedicated to the production of craftwork of everyday objects including ceramics, textiles, and furniture. Hoffman was integral to defining Western applied arts during this period. The Stoclet Palace (1905–11), Hoffman’s masterpiece, embodies the artistic tension of this era and reveals the architect’s prescience; the mansion’s decorative details recall the fluid stylization of Art Nouveau, while the stark exterior walls—sheets of white marble edged in gilded metal—anticipate the austere planes and strict geometry of the International Style.

Collected by major museums
Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2020
Glass: Autumn 2020Galerie Kovacek
2019
Summer Highlights 2019Kunsthandel Kolhammer
2013
MAK Permanent Collection Vienna 1900MAK – Museum of Applied Arts, Vienna
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Balls-Table, 1909

Beech, stained black and polished, table top and base with hammered brass
29 1/2 × 21 7/10 × 21 7/10 in
75 × 55 × 55 cm
Sold
Location
Vienna
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For the World Exhibition in Buenos Aires 1910

Medium
Manufacturer
Jacob & Josef Kohn, Vienna, no 1263
Image rights
Galerie bei der Albertina

Josef Hoffman’s oeuvre embodies the seismic aesthetic and philosophical shifts that defined avant-garde art and design at the turn of the 19th century. He was a founding member of the Vienna Secession, an organization of artists and designers who sought to breakaway from rigid historical precedents, and later, the Wiener Werkstätte, a workshop dedicated to the production of craftwork of everyday objects including ceramics, textiles, and furniture. Hoffman was integral to defining Western applied arts during this period. The Stoclet Palace (1905–11), Hoffman’s masterpiece, embodies the artistic tension of this era and reveals the architect’s prescience; the mansion’s decorative details recall the fluid stylization of Art Nouveau, while the stark exterior walls—sheets of white marble edged in gilded metal—anticipate the austere planes and strict geometry of the International Style.

Collected by major museums
Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
Other works from Autumn Novelties 2017
Other works by Josef Hoffmann
Other works from Galerie Bei Der Albertina Zetter
Related works
Related artists