Josef Hoffmann, ‘Pair Of Armchairs, Austria’, ca. 1905, Design/Decorative Art, Stained Beech, Upholstery, Brass, Rago/Wright
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Pair Of Armchairs, Austria, ca. 1905

Stained Beech, Upholstery, Brass
28 × 21 3/4 × 23 1/2 in
71.1 × 55.2 × 59.7 cm
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RW
Rago/Wright
Medium
Signature
Remnants of paper labels
Josef Hoffmann
Austrian, 1870–1956
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Josef Hoffman’s oeuvre embodies the seismic aesthetic and philosophical shifts that defined avant-garde art and design at the turn of the 19th century. He was a founding member of the Vienna Secession, an organization of artists and designers who sought to breakaway from rigid historical precedents, and later, the Wiener Werkstätte, a workshop dedicated to the production of craftwork of everyday objects including ceramics, textiles, and furniture. Hoffman was integral to defining Western applied arts during this period. The Stoclet Palace (1905–11), Hoffman’s masterpiece, embodies the artistic tension of this era and reveals the architect’s prescience; the mansion’s decorative details recall the fluid stylization of Art Nouveau, while the stark exterior walls—sheets of white marble edged in gilded metal—anticipate the austere planes and strict geometry of the International Style.

J. & J. Kohn
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Josef Hoffmann, ‘Pair Of Armchairs, Austria’, ca. 1905, Design/Decorative Art, Stained Beech, Upholstery, Brass, Rago/Wright
Navigate right
Save
Save
Share
Share
RW
Rago/Wright
Medium
Signature
Remnants of paper labels
Josef Hoffmann
Austrian, 1870–1956
Follow

Josef Hoffman’s oeuvre embodies the seismic aesthetic and philosophical shifts that defined avant-garde art and design at the turn of the 19th century. He was a founding member of the Vienna Secession, an organization of artists and designers who sought to breakaway from rigid historical precedents, and later, the Wiener Werkstätte, a workshop dedicated to the production of craftwork of everyday objects including ceramics, textiles, and furniture. Hoffman was integral to defining Western applied arts during this period. The Stoclet Palace (1905–11), Hoffman’s masterpiece, embodies the artistic tension of this era and reveals the architect’s prescience; the mansion’s decorative details recall the fluid stylization of Art Nouveau, while the stark exterior walls—sheets of white marble edged in gilded metal—anticipate the austere planes and strict geometry of the International Style.

J. & J. Kohn
Follow

Pair Of Armchairs, Austria, ca. 1905

Stained Beech, Upholstery, Brass
28 × 21 3/4 × 23 1/2 in
71.1 × 55.2 × 59.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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