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Joseph Beuys

Filzanzug (Felt Suit), 1970

Felt sewn as a suit
66 9/10 × 39 2/5 in
170 × 100 cm
This is part of a limited edition set.
Contact For Price
location
Munich
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Joseph Beuys
German, 1921–1986
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A major figure of the postwar German avant-garde, Joseph Beuys viewed art as a vehicle for social change. His performance art "actions" were shamanistic experiences incorporating ritualized movement and sound, as well as non-traditional and even repulsive materials such as fat, felt, honey, blood, and dead animals. For example, in his groundbreaking 1965 performance How to Explain Pictures to a Dead Hare, Beuys—who was covered in symbolic materials such as honey, gold leaf, and iron—explained artworks to a cradled hare. Akin to Andy Warhol in influence but with a more widely (and wildly) ranging formal vocabulary, Beuys counted debate and teaching as part of his art and was a leader in many socioeconomic reform movements.

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View in room
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Save
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view
View in room
share
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Joseph Beuys
German, 1921–1986
Follow

A major figure of the postwar German avant-garde, Joseph Beuys viewed art as a vehicle for social change. His performance art "actions" were shamanistic experiences incorporating ritualized movement and sound, as well as non-traditional and even repulsive materials such as fat, felt, honey, blood, and dead animals. For example, in his groundbreaking 1965 performance How to Explain Pictures to a Dead Hare, Beuys—who was covered in symbolic materials such as honey, gold leaf, and iron—explained artworks to a cradled hare. Akin to Andy Warhol in influence but with a more widely (and wildly) ranging formal vocabulary, Beuys counted debate and teaching as part of his art and was a leader in many socioeconomic reform movements.

Joseph Beuys

Filzanzug (Felt Suit), 1970

Felt sewn as a suit
66 9/10 × 39 2/5 in
170 × 100 cm
This is part of a limited edition set.
Contact For Price
location
Munich
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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