Juan Gris, ‘Max Jacob, Ne coupez pas Mademoiselle ou Les Erreurs des P.T.T., Galerie Simon, Paris, 1921’, Christie's

With title page, text in French, and justification page, copy VIII of X hors-commerce copies (the total edition was 112), signed in ink by the author and the artist on the justification page, bound, the sheet edges gilded, with original cream printed wrappers and calf binding by Pierre-Lucien Martin with matching chemise and slipcase. 12 5/8 x 8 7/8 in. (321 x 225 mm.)
album

Kahnweiler 7-10

Werner Bokelberg Collection

About Juan Gris

Originally trained in math and physics, Juan Gris moved to Paris in 1906, where he met Pablo Picasso and Georges Braque and became involved in the Cubist movement. Gris took a highly mathematical approach to Cubist painting, rendering discrete forms with precision and exactitude, the resulting images almost resembling technical drawings. The composition of Jar, Flask, and Glass (1911), for example, was derived from an underlying grid structure, the different modules depicting different planar perspectives and yielding an overall composition that is both fractured and flattened. Gris also experimented with Pointillism in works such as Newspaper and Fruit Dish (1916), and often alluded to earlier artists such as Jean-Baptiste-Camille Corot and Paul Cézanne through both style and subject matter.

Spanish, 1887-1927, Madrid, Spain, based in Paris, France

Solo Shows

2016
Chowaiki & Co., 
New York,
Trajectory & Viewpoint: On the Canvas