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Juan Uslé, ‘Crimen Y Jardin’, 2008, Mario Mauroner Contemporary Art Salzburg-Vienna
Juan Uslé, ‘Crimen Y Jardin’, 2008, Mario Mauroner Contemporary Art Salzburg-Vienna
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Juan Uslé

Crimen Y Jardin, 2008

Oil, vinyl pigments on canvas
12 1/5 × 18 1/10 in
31 × 46 cm
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Juan Uslé
Spanish, b. 1954
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Juan Uslé’s idiosyncratic abstractions, constructed with translucent layers of handmade saturated colors, evoke the environs and energy of his Northern Spanish homeland and New York City. Dividing his time between Spain and New York, Uslé says he has always felt a sense of displacement, which is an important theme in his work. Uslé imbues his signature sense of dynamism into his paintings by exploiting the nature of opposites: between organic and geometric forms, randomness and order, and the simultaneous physicality of paint and its ability to disappear into sheer, ethereal surfaces and illusions of light.

Juan Uslé, ‘Crimen Y Jardin’, 2008, Mario Mauroner Contemporary Art Salzburg-Vienna
Juan Uslé, ‘Crimen Y Jardin’, 2008, Mario Mauroner Contemporary Art Salzburg-Vienna
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
Juan Uslé
Spanish, b. 1954
Follow

Juan Uslé’s idiosyncratic abstractions, constructed with translucent layers of handmade saturated colors, evoke the environs and energy of his Northern Spanish homeland and New York City. Dividing his time between Spain and New York, Uslé says he has always felt a sense of displacement, which is an important theme in his work. Uslé imbues his signature sense of dynamism into his paintings by exploiting the nature of opposites: between organic and geometric forms, randomness and order, and the simultaneous physicality of paint and its ability to disappear into sheer, ethereal surfaces and illusions of light.

Juan Uslé

Crimen Y Jardin, 2008

Oil, vinyl pigments on canvas
12 1/5 × 18 1/10 in
31 × 46 cm
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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