Judy Chicago, ‘Female Rejection Drawing from the Rejection Quintet’, 1974, San Francisco Museum of Modern Art (SFMOMA)
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Judy Chicago

Female Rejection Drawing from the Rejection Quintet, 1974

Colored pencil and graphite on paper
40 × 30 in
101.6 × 76.2 cm
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About the work
Exhibition history
Provenance
Medium
Drawing, Collage or other Work on Paper
Image rights
© Judy Chicago. Photo © Donald Woodman
Judy Chicago
American, b. 1939
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Synonymous with early feminist art, Judy Chicago has been challenging the male-dominated art world since the 1970s. Her characteristically colorful body of work includes paintings, tapestries, sculpture, and mixed-media installations celebrating women’s achievements. Chicago legally assumed the name of her hometown after becoming a widow at the age of 23, symbolizing her lifelong struggle with identity, which she chronicles in Through the Flower: My Struggle as a Woman Artist (1975). In homage to 1,038 women central to the history of Western civilization, Chicago’s most celebrated work, The Dinner Party (1974-79), exemplifies her ongoing endeavor as an artist, educator, and author to elevate women from the margins of society and history. The work—on permanent display at The Brooklyn Museum—features 39 place settings meant to represent famous women from history, from Joan of Arc to Emily Dickinson, with a further 999 names inscribed on the floor.

Judy Chicago, ‘Female Rejection Drawing from the Rejection Quintet’, 1974, San Francisco Museum of Modern Art (SFMOMA)
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Provenance
Medium
Drawing, Collage or other Work on Paper
Image rights
© Judy Chicago. Photo © Donald Woodman
Judy Chicago
American, b. 1939
Follow

Synonymous with early feminist art, Judy Chicago has been challenging the male-dominated art world since the 1970s. Her characteristically colorful body of work includes paintings, tapestries, sculpture, and mixed-media installations celebrating women’s achievements. Chicago legally assumed the name of her hometown after becoming a widow at the age of 23, symbolizing her lifelong struggle with identity, which she chronicles in Through the Flower: My Struggle as a Woman Artist (1975). In homage to 1,038 women central to the history of Western civilization, Chicago’s most celebrated work, The Dinner Party (1974-79), exemplifies her ongoing endeavor as an artist, educator, and author to elevate women from the margins of society and history. The work—on permanent display at The Brooklyn Museum—features 39 place settings meant to represent famous women from history, from Joan of Arc to Emily Dickinson, with a further 999 names inscribed on the floor.

Judy Chicago

Female Rejection Drawing from the Rejection Quintet, 1974

Colored pencil and graphite on paper
40 × 30 in
101.6 × 76.2 cm
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Judy Chicago
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