
Judy Chicago
In Praise of Prairie Dogs, 2019
This work is sold by a professional seller and ships from Boston, Massachussets, United States.
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Synonymous with early feminist art, Judy Chicago has been challenging the male-dominated art world since the 1970s. Her characteristically colorful body of work includes paintings, tapestries, sculpture, and mixed-media installations celebrating women’s achievements. Chicago legally assumed the name of her hometown after becoming a widow at the age of 23, symbolizing her lifelong struggle with identity, which she chronicles in Through the Flower: My Struggle as a Woman Artist (1975). In homage to 1,038 women central to the history of Western civilization, Chicago’s most celebrated work, The Dinner Party (1974-79), exemplifies her ongoing endeavor as an artist, educator, and author to elevate women from the margins of society and history. The work—on permanent display at The Brooklyn Museum—features 39 place settings meant to represent famous women from history, from Joan of Arc to Emily Dickinson, with a further 999 names inscribed on the floor.

This work is sold by a professional seller and ships from Boston, Massachussets, United States.
Condition Report: No apparent condition issues. Unframed.
The condition noted above is as represented by the seller to the best of their ability. This work has been inspected by Artsy virtually using photographs, and not in …

Synonymous with early feminist art, Judy Chicago has been challenging the male-dominated art world since the 1970s. Her characteristically colorful body of work includes paintings, tapestries, sculpture, and mixed-media installations celebrating women’s achievements. Chicago legally assumed the name of her hometown after becoming a widow at the age of 23, symbolizing her lifelong struggle with identity, which she chronicles in Through the Flower: My Struggle as a Woman Artist (1975). In homage to 1,038 women central to the history of Western civilization, Chicago’s most celebrated work, The Dinner Party (1974-79), exemplifies her ongoing endeavor as an artist, educator, and author to elevate women from the margins of society and history. The work—on permanent display at The Brooklyn Museum—features 39 place settings meant to represent famous women from history, from Joan of Arc to Emily Dickinson, with a further 999 names inscribed on the floor.