Julia Dault, ‘Double Double Land’, 2018, Painting, Leather, silver leaf, printed paper, and oil on canvas, Bradley Ertaskiran
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Julia Dault

Double Double Land, 2018

Leather, silver leaf, printed paper, and oil on canvas
24 × 18 in
61 × 45.7 cm
.
Contact For Price
Location
Montreal
Have a question? Visit our help center.
About the work
Exhibition history
Julia Dault
Canadian, b. 1977
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Julia Dault is known for richly textured paintings on pleather, silk, and spandex, and for sculptural works fixed to gallery walls with string and knots. Plexiglas, formica, and Everlast boxing wraps—Dault’s materials of choice—lend her sleek abstract sculptures a raw, industrial aesthetic, while they retain a certain naturalness through their rounded organic forms. In her paintings, Dault likewise focuses on depth and materiality by building up colorful layers of paint and vinyl and then scraping parts away. For instance, the sharp-edged, fan-shaped cuts into the monochromatic black painting Jordache (2012) reveal an array of colors, rhythmic gestures, and surprising materials beneath the surface. “There is something very fleeting about Dault’s work; a sense of movement and manipulation reminiscent of highly-stylized time machines,” wrote one critic.

Julia Dault, ‘Double Double Land’, 2018, Painting, Leather, silver leaf, printed paper, and oil on canvas, Bradley Ertaskiran
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Julia Dault
Canadian, b. 1977
Follow

Julia Dault is known for richly textured paintings on pleather, silk, and spandex, and for sculptural works fixed to gallery walls with string and knots. Plexiglas, formica, and Everlast boxing wraps—Dault’s materials of choice—lend her sleek abstract sculptures a raw, industrial aesthetic, while they retain a certain naturalness through their rounded organic forms. In her paintings, Dault likewise focuses on depth and materiality by building up colorful layers of paint and vinyl and then scraping parts away. For instance, the sharp-edged, fan-shaped cuts into the monochromatic black painting Jordache (2012) reveal an array of colors, rhythmic gestures, and surprising materials beneath the surface. “There is something very fleeting about Dault’s work; a sense of movement and manipulation reminiscent of highly-stylized time machines,” wrote one critic.

Julia Dault

Double Double Land, 2018

Leather, silver leaf, printed paper, and oil on canvas
24 × 18 in
61 × 45.7 cm
.
Contact For Price
Location
Montreal
Have a question? Visit our help center.
Other works by Julia Dault
Other works from Bradley Ertaskiran