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Untitled in the Rage (Nibiru Cataclysm), 2015

Inkjet print
Location
New York
About the work
Exhibition history
Medium
Print
Series
UNIVERSAL CROP TOPS FOR ALL THE SELF CANONIZED SAINTS OF BECOMING, 2015
Image rights
Courtesy the artist. Special thanks to Mihail Lari and Scott Murray
Juliana Huxtable
American, b. 1987
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Drawing on life experiences and inspired by Internet communities, Juliana Huxtable strives to create safe spaces, address anxieties, and cultivate a sense of inclusivity through her work. Huxtable uses self-portraiture, text-based prints, performance, social media, and music as mediums through which to create identity within the context of history and contemporary world currents. Huxtable, who is transgender and whose adopted name is inspired by the family on The Cosby Show, constructs hybrid human-creature avatars as manifestations of her fluid gender and sexual identity, articulating each distinct self through portraiture and writing. Much of her work is centered on drawing connections between disparate ideas rather than arriving at concrete conclusions, a concept also found in her fast-paced performances, which echo the act of browsing the Internet and jumping from page to page.

Save
Save
Share
Share
Save
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Share
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About the work
Exhibition history
Medium
Print
Series
UNIVERSAL CROP TOPS FOR ALL THE SELF CANONIZED SAINTS OF BECOMING, 2015
Image rights
Courtesy the artist. Special thanks to Mihail Lari and Scott Murray
Juliana Huxtable
American, b. 1987
Follow

Drawing on life experiences and inspired by Internet communities, Juliana Huxtable strives to create safe spaces, address anxieties, and cultivate a sense of inclusivity through her work. Huxtable uses self-portraiture, text-based prints, performance, social media, and music as mediums through which to create identity within the context of history and contemporary world currents. Huxtable, who is transgender and whose adopted name is inspired by the family on The Cosby Show, constructs hybrid human-creature avatars as manifestations of her fluid gender and sexual identity, articulating each distinct self through portraiture and writing. Much of her work is centered on drawing connections between disparate ideas rather than arriving at concrete conclusions, a concept also found in her fast-paced performances, which echo the act of browsing the Internet and jumping from page to page.

Untitled in the Rage (Nibiru Cataclysm), 2015

Inkjet print
Location
New York
Other works from 2015 Triennial: Surround Audience
Other works by Juliana Huxtable
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Self-Portrait
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