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Julie Oppermann, ‘m1203’, 2012, Mark Moore Fine Art
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Julie Oppermann

m1203, 2012

Acrylic on canvas
72 × 96 in
182.9 × 243.8 cm
This is a unique work.
Sold
Location
Los Angeles, Orange
About the work
Provenance
Mark Moore Fine Art
Los Angeles, Orange

Oppermann's compositions are achieved through equal parts rule and spontaneity. Painting layers …

Medium
Painting
Condition
In Excellent Condition
Signature
Hand-signed by artist, Signed and Dated Verso
Certificate of authenticity
Not included
Frame
Not included
Julie Oppermann
American, b. 1982
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Julie Opperman creates patterns of contrasting colors and repetitive lines that challenge the viewer’s visual perception. The paintings reference optical flicker, shutter afterimages, glitches, visual noise, and vertiginous movement. “They are hard to look at,” she says. They “create sensations of movement, flashes and flickers of light, illusions of depth and space, uncomfortable tensions.” Meticulously worked in acrylics and spray paint, her compositions resemble patterns that appear on computer screens, such as pixilation or the visual effects of data loss and file corruption. But rather than being filtered through a screen, the distortion manifests in the viewer’s field of vision, disrupting their ability to perceive the painting as a unified whole.

Julie Oppermann, ‘m1203’, 2012, Mark Moore Fine Art
Save
Save
View
View in room
Share
Share
About the work
Provenance
Mark Moore Fine Art
Los Angeles, Orange

Oppermann's compositions are achieved through equal parts rule and spontaneity. Painting layers upon layers of nearly identical lines and waves, Oppermann crafts hallucinatory abstractions that flicker, expand, contract, and undulate based on the unique vantage point of an individual viewer. Her attuned use of …

Medium
Painting
Condition
In Excellent Condition
Signature
Hand-signed by artist, Signed and Dated Verso
Certificate of authenticity
Not included
Frame
Not included
Julie Oppermann
American, b. 1982
Follow

Julie Opperman creates patterns of contrasting colors and repetitive lines that challenge the viewer’s visual perception. The paintings reference optical flicker, shutter afterimages, glitches, visual noise, and vertiginous movement. “They are hard to look at,” she says. They “create sensations of movement, flashes and flickers of light, illusions of depth and space, uncomfortable tensions.” Meticulously worked in acrylics and spray paint, her compositions resemble patterns that appear on computer screens, such as pixilation or the visual effects of data loss and file corruption. But rather than being filtered through a screen, the distortion manifests in the viewer’s field of vision, disrupting their ability to perceive the painting as a unified whole.

Julie Oppermann

m1203, 2012

Acrylic on canvas
72 × 96 in
182.9 × 243.8 cm
This is a unique work.
Sold
Location
Los Angeles, Orange
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