Julio Le Parc, ‘Cloison à lames réfléchissantes’, 1966-2005, Installation, Wood, paint, stainless steel, Galeria Nara Roesler
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Julio Le Parc

Cloison à lames réfléchissantes, 1966-2005

Wood, paint, stainless steel
90 3/5 × 103 9/10 × 31 1/2 in
230 × 264 × 80 cm
Edition 1/5
.
Contact For Price
Location
São Paulo, Rio de Janeiro, New York
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Julio Le Parc
Argentinian, b. 1928
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Celebrated for what he calls “disturbances in the artistic system,” Julio Le Parc is among the progenitors of the Op Art, or Kinetic Art, movement, who posits a utopian vision for art and society through his perceptually illusory paintings, sculptures, and immersive installations. As co-founder of the Groupe de Recherche d’Art Visuel (Visual Art Research Group) (1960-68), he worked to break down the boundaries between art and the viewer. In his words: “I have tried […] to elicit a different type of behavior from the viewer […] to seek, together with the public, various means of fighting off passivity, dependency or ideological conditioning, by developing reflective, comparative, analytical, creative or active capacities.” Parc accomplishes this through color, line, light, shadow, and movement, composed to make still forms seem to move, solid structures seem to dematerialize, and light itself seem plastic.

Julio Le Parc, ‘Cloison à lames réfléchissantes’, 1966-2005, Installation, Wood, paint, stainless steel, Galeria Nara Roesler
Save
Save
Share
Share
Julio Le Parc
Argentinian, b. 1928
Follow

Celebrated for what he calls “disturbances in the artistic system,” Julio Le Parc is among the progenitors of the Op Art, or Kinetic Art, movement, who posits a utopian vision for art and society through his perceptually illusory paintings, sculptures, and immersive installations. As co-founder of the Groupe de Recherche d’Art Visuel (Visual Art Research Group) (1960-68), he worked to break down the boundaries between art and the viewer. In his words: “I have tried […] to elicit a different type of behavior from the viewer […] to seek, together with the public, various means of fighting off passivity, dependency or ideological conditioning, by developing reflective, comparative, analytical, creative or active capacities.” Parc accomplishes this through color, line, light, shadow, and movement, composed to make still forms seem to move, solid structures seem to dematerialize, and light itself seem plastic.

Julio Le Parc

Cloison à lames réfléchissantes, 1966-2005

Wood, paint, stainless steel
90 3/5 × 103 9/10 × 31 1/2 in
230 × 264 × 80 cm
Edition 1/5
.
Contact For Price
Location
São Paulo, Rio de Janeiro, New York
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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