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The Immaculate Conception, ca. 1640

Pen and brown ink, brush and brown wash, red chalk on paper
242 × 131 in
614.7 × 332.7 cm
Permanent collection
About the work
Jusepe de Ribera
Spanish, 1591–1652
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The expatriated José de Ribera was known in Italy as “Lo Spagnoletto” (or “the Little Spaniard”), in no small part for a painting style mixing Spanish realism and Carravaggio’s Tenebrism. De Ribera enjoyed the luxury of international patronage, from Spanish Royalty to the Roman Catholic Church. His early paintings were austere, gloomy, and dramatic, and often graphic or horrific; later works had softer tones and lighter color palettes. Throughout his career, he was commended for his ability to depict mental and physical suffering, with sensitivity for line and light. De Ribera’s contribution in Spanish Baroque painting inspired younger generations of artists, including Francisco de Zurbarán, Salvator Rosa, and Luca Giordano.

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View in room
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Save
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view
View in room
share
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About the work
Jusepe de Ribera
Spanish, 1591–1652
Follow

The expatriated José de Ribera was known in Italy as “Lo Spagnoletto” (or “the Little Spaniard”), in no small part for a painting style mixing Spanish realism and Carravaggio’s Tenebrism. De Ribera enjoyed the luxury of international patronage, from Spanish Royalty to the Roman Catholic Church. His early paintings were austere, gloomy, and dramatic, and often graphic or horrific; later works had softer tones and lighter color palettes. Throughout his career, he was commended for his ability to depict mental and physical suffering, with sensitivity for line and light. De Ribera’s contribution in Spanish Baroque painting inspired younger generations of artists, including Francisco de Zurbarán, Salvator Rosa, and Luca Giordano.

The Immaculate Conception, ca. 1640

Pen and brown ink, brush and brown wash, red chalk on paper
242 × 131 in
614.7 × 332.7 cm
Permanent collection
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