Jusepe de Ribera, ‘The Martyrdom of Saint Bartholomew’, 1634, The National Gallery, London
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The Martyrdom of Saint Bartholomew, 1634

Oil on canvas
40 9/10 × 44 1/2 in
104 × 113 cm
About the work
Exhibition history
Medium
Painting
Image rights
Image courtesy of the Board of Trustees, National Gallery of Art, Washington, DC.
Jusepe de Ribera
Spanish, 1591–1652
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The expatriated José de Ribera was known in Italy as “Lo Spagnoletto” (or “the Little Spaniard”), in no small part for a painting style mixing Spanish realism and Carravaggio’s Tenebrism. De Ribera enjoyed the luxury of international patronage, from Spanish Royalty to the Roman Catholic Church. His early paintings were austere, gloomy, and dramatic, and often graphic or horrific; later works had softer tones and lighter color palettes. Throughout his career, he was commended for his ability to depict mental and physical suffering, with sensitivity for line and light. De Ribera’s contribution in Spanish Baroque painting inspired younger generations of artists, including Francisco de Zurbarán, Salvator Rosa, and Luca Giordano.

Jusepe de Ribera, ‘The Martyrdom of Saint Bartholomew’, 1634, The National Gallery, London
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Medium
Painting
Image rights
Image courtesy of the Board of Trustees, National Gallery of Art, Washington, DC.
Jusepe de Ribera
Spanish, 1591–1652
Follow

The expatriated José de Ribera was known in Italy as “Lo Spagnoletto” (or “the Little Spaniard”), in no small part for a painting style mixing Spanish realism and Carravaggio’s Tenebrism. De Ribera enjoyed the luxury of international patronage, from Spanish Royalty to the Roman Catholic Church. His early paintings were austere, gloomy, and dramatic, and often graphic or horrific; later works had softer tones and lighter color palettes. Throughout his career, he was commended for his ability to depict mental and physical suffering, with sensitivity for line and light. De Ribera’s contribution in Spanish Baroque painting inspired younger generations of artists, including Francisco de Zurbarán, Salvator Rosa, and Luca Giordano.

The Martyrdom of Saint Bartholomew, 1634

Oil on canvas
40 9/10 × 44 1/2 in
104 × 113 cm
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