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Skyscape, Norfolk, 2011
Archival pigment mounted to dibond
22 × 32 in
55.9 × 81.3 cm
£1,500
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About the work
Osborne Samuel
London
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Framed in light grey coloured oak with museum glass

Sky has nothing to do with previous skyscapes …

Read more

Framed in light grey coloured oak with museum glass

Sky has nothing to do with previous skyscapes in photography and painting: the “Equivalents” of Alfred Stieglitz, William Eggleston’s At Zenith, or even John Constable’s cloud studies. Instead it’s about taking on Norfolk’s “big sky country” so completely that it …

Read more
Signature
Signed verso
Share
About the work
Osborne Samuel
London
Follow

Framed in light grey coloured oak with museum glass

Sky has nothing to do with previous skyscapes …

Read more

Framed in light grey coloured oak with museum glass

Sky has nothing to do with previous skyscapes in photography and painting: the “Equivalents” of Alfred Stieglitz, William Eggleston’s At Zenith, or even John Constable’s cloud studies. Instead it’s about taking on Norfolk’s “big sky country” so completely that it …

Read more
Signature
Signed verso
Skyscape, Norfolk, 2011
Archival pigment mounted to dibond
22 × 32 in
55.9 × 81.3 cm
£1,500
Have a question? Read our FAQ.