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Justine Kurland

Prospect Park Boogie (Brooklyn, NY), 2000

Satin laminated c-print
29 1/2 × 39 1/2 in
75 × 100.4 cm
Bidding closed
About the work
Provenance
P
Phillips

Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

Medium
Print
Signature
Signed 'J. Kurland' on a gallery label affixed to the reverse
Justine Kurland
American , b. 1969
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In the spirit of the 19th-century landscape photographers, who produced idealized, utopian images of the American wilderness, Justine Kurland crisscrosses the country with her 4 x 5 camera and her young son, meeting and photographing fellow travelers in grand natural settings. These travelers include runaway girls, train-hopping hobos, hippies in communes, and mothers with their children. In her lush, mid-scale prints, stilled in all their raw, complex, and, often, naked or half-naked beauty, her subjects appear to be the very image of self-reliance and freedom so mythologized in American folk songs and literature. Kurland foregrounds the fact that she is not a documentarian, claiming, “[W]hat defines my photographs is this portal to a certain kind of fantasy of America, of what our national identity is, a seminal identity.”

Save
Save
view
View in room
share
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Save
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view
View in room
share
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About the work
Provenance
P
Phillips

Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

Medium
Print
Signature
Signed 'J. Kurland' on a gallery label affixed to the reverse
Justine Kurland
American , b. 1969
Follow

In the spirit of the 19th-century landscape photographers, who produced idealized, utopian images of the American wilderness, Justine Kurland crisscrosses the country with her 4 x 5 camera and her young son, meeting and photographing fellow travelers in grand natural settings. These travelers include runaway girls, train-hopping hobos, hippies in communes, and mothers with their children. In her lush, mid-scale prints, stilled in all their raw, complex, and, often, naked or half-naked beauty, her subjects appear to be the very image of self-reliance and freedom so mythologized in American folk songs and literature. Kurland foregrounds the fact that she is not a documentarian, claiming, “[W]hat defines my photographs is this portal to a certain kind of fantasy of America, of what our national identity is, a seminal identity.”

Justine Kurland

Prospect Park Boogie (Brooklyn, NY), 2000

Satin laminated c-print
29 1/2 × 39 1/2 in
75 × 100.4 cm
Bidding closed
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