Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
KAORUKO
Japanese

A former teen pop star with a burgeoning artistic career, KAORUKO explores the complex identity of Japanese women, caught, as she sees it, between tradition and modernity. She combines references to pop culture and ukiyo-e (traditional Japanese woodblock prints) in her large-scale paintings, in which she depicts languid, lingerie-clad young women in intimate domestic spaces, against silkscreened backgrounds of traditional kimono patterns. The women in KAORUKO’s “Aromako” series (2011), for example, are shown calmly smelling various parts of each other’s bodies, while staring straight out of the canvas, meeting our gaze straight on. As KAORUKO explains: “I tried to use this type of confrontational imagery to express my thoughts on Japanese culture in its relation to the role that women play, both socially and politically, in [the] present day in contrast to our history.”

Selected exhibitions
2019
Zemack Contemporary Art at Art New York 2019Zemack Contemporary Art
2014
Mana MonumentalMana Contemporary
2009
Resident DonationsESKFF
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KAORUKO
Japanese

IDOL 1, 2018

Acrylic
72 × 72 in
182.9 × 182.9 cm
.
Sold
Location
Tel-Aviv, Philadelphia
Certificate
This work includes a certificate of authenticity.
Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
KAORUKO
Japanese

A former teen pop star with a burgeoning artistic career, KAORUKO explores the complex identity of Japanese women, caught, as she sees it, between tradition and modernity. She combines references to pop culture and ukiyo-e (traditional Japanese woodblock prints) in her large-scale paintings, in which she depicts languid, lingerie-clad young women in intimate domestic spaces, against silkscreened backgrounds of traditional kimono patterns. The women in KAORUKO’s “Aromako” series (2011), for example, are shown calmly smelling various parts of each other’s bodies, while staring straight out of the canvas, meeting our gaze straight on. As KAORUKO explains: “I tried to use this type of confrontational imagery to express my thoughts on Japanese culture in its relation to the role that women play, both socially and politically, in [the] present day in contrast to our history.”

Selected exhibitions (3)
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