Kate Breakey, ‘Quail Egg 38’, 2019, Photography, Hand-colored archival pigment print, Etherton Gallery
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Kate Breakey

Quail Egg 38, 2019

Hand-colored archival pigment print
4 1/2 × 5 1/8 in
11.4 × 13 cm
Edition of 5
.
$550
Ships from Tucson, AZ, US
Shipping: $50 domestic, $100 rest of world
Location
Tucson
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
EG
Etherton Gallery
Tucson

Quail egg
this tiny fragile thing
lifeless and abandoned
perfect smooth and speckled
like a washed-up …

Medium
Signature
Hand-signed by artist, signed, titled, numbered (1/5) on label affixed verso
Frame
Included
Kate Breakey
Australian, b. 1957
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Kate Breakey is known for her large-scale, hand-colored photographs, which often feature luminous representations of birds, flowers, animals, and insects. Beginning with a silver photographic image, she paints over this with many transparent layers of oil, melding together different media. Breakey also creates works with the simple outlines of photograms—invented by William Fox Talbot in the 1830s—and ones that relate to 19th-century botanist Anna Atkins’ cyanotypes and Imogen Cunningham’s and Edward Weston’s 1920s plant and shell photographs. Concerned with the themes of death in nature and the preservation of beauty through photography, Breakey wants to “tenderly record the beautiful bodies now in transition towards decomposition and disintegration,” as she says.

Kate Breakey, ‘Quail Egg 38’, 2019, Photography, Hand-colored archival pigment print, Etherton Gallery
Save
Save
View
View in room
Share
Share
EG
Etherton Gallery
Tucson

Quail egg
this tiny fragile thing
lifeless and abandoned
perfect smooth and speckled
like a washed-up beach pebble
or an alien dappled moon to
turn over in my palm
A whole universe
to weigh

Medium
Signature
Hand-signed by artist, signed, titled, numbered (1/5) on label affixed verso
Frame
Included
Kate Breakey
Australian, b. 1957
Follow

Kate Breakey is known for her large-scale, hand-colored photographs, which often feature luminous representations of birds, flowers, animals, and insects. Beginning with a silver photographic image, she paints over this with many transparent layers of oil, melding together different media. Breakey also creates works with the simple outlines of photograms—invented by William Fox Talbot in the 1830s—and ones that relate to 19th-century botanist Anna Atkins’ cyanotypes and Imogen Cunningham’s and Edward Weston’s 1920s plant and shell photographs. Concerned with the themes of death in nature and the preservation of beauty through photography, Breakey wants to “tenderly record the beautiful bodies now in transition towards decomposition and disintegration,” as she says.

Kate Breakey

Quail Egg 38, 2019

Hand-colored archival pigment print
4 1/2 × 5 1/8 in
11.4 × 13 cm
Edition of 5
.
$550
Ships from Tucson, AZ, US
Shipping: $50 domestic, $100 rest of world
Location
Tucson
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
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