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Kate Steciw

Composition 520h, 2015

UV print on Dibond, plexiglass, and mixed media in custom frame
40 × 30 in
101.6 × 76.2 cm
Kate Steciw
American, b. 1978
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Kate Steciw’s sculptures, video installations, and photographs have been associated with the post-internet movement and are inspired by events in popular culture. Her digital photographic collages interrogate the relationship between reality and virtual representation, splicing together a disparate group of objects that mirror how internet is consumed; the images, taken out of their commercial context, are reimagined as contemporary abstract mosaics. Other work by the artist, like her 2012 series “Boundless Hyper,” incorporate mixed-media materials, such as glass beads, stickers, car ornaments, and bandages. Steciw aims to make photographs that “move beyond the 2D and exist in 3 and even 4D spaces or implied spaces but also juxtapos[e] the mundane or expected with the altered or intangible,” as she has said.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
Kate Steciw
American, b. 1978
Follow

Kate Steciw’s sculptures, video installations, and photographs have been associated with the post-internet movement and are inspired by events in popular culture. Her digital photographic collages interrogate the relationship between reality and virtual representation, splicing together a disparate group of objects that mirror how internet is consumed; the images, taken out of their commercial context, are reimagined as contemporary abstract mosaics. Other work by the artist, like her 2012 series “Boundless Hyper,” incorporate mixed-media materials, such as glass beads, stickers, car ornaments, and bandages. Steciw aims to make photographs that “move beyond the 2D and exist in 3 and even 4D spaces or implied spaces but also juxtapos[e] the mundane or expected with the altered or intangible,” as she has said.

Kate Steciw

Composition 520h, 2015

UV print on Dibond, plexiglass, and mixed media in custom frame
40 × 30 in
101.6 × 76.2 cm
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