Käthe Kollwitz, ‘Scene from Germinal’, 1893, Galerie St. Etienne
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Käthe Kollwitz

Scene from Germinal, 1893

Etching in brown on cream wove paper.
9 3/8 × 20 3/4 in
23.8 × 52.7 cm
Contact For Price
Location
New York
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About the work
Bibliography
Galerie St. Etienne
New York

From the edition printed by Felsing after 1912, but before the 1917 edition printed by L. Angerer …

Medium
Print
Signature
Signed, lower right, and signed by O. Felsing, lower left.
Käthe Kollwitz
German, 1867–1945
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Considered one of Germany’s most important early 20th-century artists, Käthe Kollwitz captured the hardships suffered by the working class in drawings, paintings, and prints. Themes of war and poverty dominate Kollwitz’s oeuvre, with images of women grieving dead children a particularly important and recurring theme—an experience that Kollwitz suffered herself when her son died in WWI, influencing her decision to become a Socialist. Kollwitz’s unflinching exploration of human suffering amounted to a searing indictment of social conditions in Germany. In 1936, the Nazis declared Kollwitz’s art “degenerate” and her artworks were removed from museums.

Käthe Kollwitz, ‘Scene from Germinal’, 1893, Galerie St. Etienne
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Galerie St. Etienne
New York

From the edition printed by Felsing after 1912, but before the 1917 edition printed by L. Angerer and published by E.A. Seemann.

Medium
Print
Signature
Signed, lower right, and signed by O. Felsing, lower left.
Käthe Kollwitz
German, 1867–1945
Follow

Considered one of Germany’s most important early 20th-century artists, Käthe Kollwitz captured the hardships suffered by the working class in drawings, paintings, and prints. Themes of war and poverty dominate Kollwitz’s oeuvre, with images of women grieving dead children a particularly important and recurring theme—an experience that Kollwitz suffered herself when her son died in WWI, influencing her decision to become a Socialist. Kollwitz’s unflinching exploration of human suffering amounted to a searing indictment of social conditions in Germany. In 1936, the Nazis declared Kollwitz’s art “degenerate” and her artworks were removed from museums.

Käthe Kollwitz

Scene from Germinal, 1893

Etching in brown on cream wove paper.
9 3/8 × 20 3/4 in
23.8 × 52.7 cm
Contact For Price
Location
New York
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works from The Art Dealer as Scholar
Other works by Käthe Kollwitz
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German Expressionism