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PRETTY RAW: AFTER AND AROUND HELEN FRANKENTHALER - Helen Frankenthaler Foundation
In past show

Medium
Image rights
Courtesy of the artist

Sculptor Kathy Butterly thinks of herself as a painter “who happens to work with clay, three-dimensionally.” She is known for abstract ceramic vessels ranging in size from small to nearly five feet tall, whose twisting forms with pinched openings resemble “shrunken hybrids of alien life forms and domestic objects from which something is oozing, leaking, or dipping,” as described by critic John Yau. Evoking the crumpled ceramics of George Ohr, these playful sculptures begin as symmetrical cups or vases, which she prods into a unique biomorphic shapes. Butterly considers some pieces to be self portraits—Fall into Spring (2004) for example, expresses how she, a downtown New Yorker, felt after September 11th—while others engage the quotidian, inspired by baking, flea markets, cartoon and horror film effects, and the like.

Established
Represented by industry leading galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2018
Kathy Butterly: Thought PresenceJames Cohan
HandheldThe Aldrich Contemporary Art Museum
2015
PRETTY RAW: AFTER AND AROUND HELEN FRANKENTHALERHelen Frankenthaler Foundation
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Like Butter, 1997

Clay and glaze
Location
New York, Metz, Water Mill, Venice
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Medium
Image rights
Courtesy of the artist

Sculptor Kathy Butterly thinks of herself as a painter “who happens to work with clay, three-dimensionally.” She is known for abstract ceramic vessels ranging in size from small to nearly five feet tall, whose twisting forms with pinched openings resemble “shrunken hybrids of alien life forms and domestic objects from which something is oozing, leaking, or dipping,” as described by critic John Yau. Evoking the crumpled ceramics of George Ohr, these playful sculptures begin as symmetrical cups or vases, which she prods into a unique biomorphic shapes. Butterly considers some pieces to be self portraits—Fall into Spring (2004) for example, expresses how she, a downtown New Yorker, felt after September 11th—while others engage the quotidian, inspired by baking, flea markets, cartoon and horror film effects, and the like.

Established
Represented by industry leading galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works from PRETTY RAW: AFTER AND AROUND HELEN FRANKENTHALER
Other works by Kathy Butterly
Related works
Related artists
Joseph Arqueta
Joan Lurie